Led by Fairlight pioneer Hubert Bognermayer, they signed to Virgin in the mid-70s, by which time they’d become altogether more symphonic and had begun singing in a variety of tongues, including Latin. KNĪustria has never been one of prog’s great outposts, but it did give us Eela Craig, a hairy sextet whose debut LP was a dense synthesis of foraging jazz blues and keyboard-heavy psychedelia. Value: Although later reissued, Elektra originals have sold for £700. The ominous drones and random creakings are not for the faint-hearted, expecting songs (subsequent onslaught The Crypt rose to terrifying levels of bombardment). Syd Barrett was heavily influenced by Rowe’s unorthodox guitar techniques and was said to have been at Sound Techniques studio in June 1966 when AMM recorded their one album for Elektra Records, with early Floyd manager Peter Jenner one of the producers. SSĪMM was a floating free-music outfit formed by guitarist Keith Rowe, experimentalist Cornelius Cardew and others who felt confined even by jazz. Value: For an original pressing graded on Discogs as Very Good, you can expect to pay upwards of £40, and all the way up to £330 for a Mint copy. We were so enthusiastic and there were some great ideas in there, but I’m amazed it keeps coming back. Perhaps its because there’s a few interesting cover versions on it? There’s things I don’t like about it, of course, but I suppose it’s of its time. That vinyl editions of the album still change hands between excited collectors for large sums of money is a source of bemusement for Collins: “It was fresh at the time, of course, but I couldn’t tell you why it’s become so sought after these days. With the band splitting upon Collins’ departure for King Crimson in early 1970, a subsequent lack of promotion ensured the few surviving copies fell into obscurity. The Beatles’ Norwegian Wood gets the Vanilla Fudge-style heavy treatment, as does Charles Mingus’ jazz anthem II BS, while two Mel Collins-penned ballads lend an air of melancholic baroque pop.Ĭircus’ cult status failed to help sales. Signed to Transatlantic Records, their sole album is an eclectic mix of pop, jazz and rock.
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